Friday, December 2, 2011
Check it out!
If you don’t have our new CD yet, you really need to go over and pick a few up! Christmas Angel has nine original new songs and two great traditional favorites. If you live in the Southern California area, then you definitely NEED to get to tickets to one of our two nights of live concerts as well. Special guest Marvin Goldstein will be joining us! Don’t miss it!
Thursday, September 8, 2011
Christmas Angel!
Tuesday, January 18, 2011
Archangel Records
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Wednesday, December 15, 2010
It is NOT too late!
Oh, and guess what! If you check back here regularly, within the week there will be a link to a new blog for the NEW PROJECT!!! Woohoo! Wow... that is a lot of exclamation points.
Monday, November 15, 2010
As Long as You're in the Neighborhood Anyway...
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So that night he got to be the baby Jesus about six times. He never cried, although sometimes the baby does cry, and it doesn’t detract at all from the presentation. At one point during the first show, Mary had the baby Jesus (my baby Jesus) all swaddled, and one of his hands came free, and he waved his little arm in the air. I heard a little girl in the row ahead of me catch her breath, and say, “Oh, look! The baby Jesus is real!” She was so right: the baby Jesus was real, and he grew to be the Savior of all the world. I love him! That is why I write the songs that I do. That night I felt a moment of awe and wonder, and it happens each year just the same. If you have a chance to attend, don’t let it pass you by.
December 3-5, 6:00-9:30 p.m. each night
At The Church of Jesus Christ of Latter-Day Saints - Altisma Building
Friday, October 29, 2010
Christmas Comes Early... Again.
If anyone has any stories to share, or things to say about the CD, please contact me at the e-mail link here. You could end up in a blog post.
Now, just as a little surprise for stopping by, I am adding an mp3 of one of my favorite songs from the album... a surprise that I held back last year. It’s called “Will You Hold Me On Christmas Eve?” sung by Garry and Rachel (Read about it here). Now you can listen to almost every song on the album right here on the blog. But I have to tell you that if you have only listened to the songs on the blog, BUY THE CD! I have had so many people tell me that they were blown away by the CD quality... much better than listening here. And it makes a great Christmas gift as well. So enjoy reading the posts here... enjoy listening to the songs... and order your CDs early before they sell out again. Until then.... merry merry merry merry merry!
Note: this is a large song file, and may take a few moments to buffer. Be patient...
Tuesday, December 29, 2009
The Little Drummer Boy
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I wasn’t really sure how my microphone would pick up ten people at once... overall, I was pleasantly surprised. So now, a bonus for you: direct from my house to yours, The Little Drummer Boy. Happy birthday, Miss Tandy!
Monday, December 21, 2009
Merry Christmas
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Merry Christmas, everyone! I just wanted to give you a little present to thank you for being my friend and supporting my album. It is nothing fancy... only me and the keys. In fact, this is pretty much what I play for fun when it is just me and the headphones. But you can still think of it as a little bonus track you won’t find on the album. I put my heart into it. Enjoy.
Wednesday, December 16, 2009
It’s All About Me
Garry, what are your thoughts about the songs you recorded?
I will start with “The Gate.” This song is magic to me. It was written at a time in my mission when I needed a boost. I didn’t feel I was successful and I was really discouraged. Victoria wrote this song and I still remember coming home and having her call me over to the piano to hear the recording of the piano accompaniment. I sat on the floor by the piano and listened and remember crying as the music played. I don’t normally get emotional over music that has no words but there was something different about this one. As soon as I heard the words I knew that this song was a gift from Heavenly Father sent through a righteous mother and friend to help a weary missionary. Recording it was a process. It went from a bright cheery sound to a quieter breathy sound. The change was new to me. I didn’t normally sing breathy but I am really pleased with the way it turned out and Victoria made the right choice to change the style.
Then there is “Did You Know?” Victoria first introduced this song to me when I was serving in Oceanside, California. She was nice enough to come down and play for me at a ward Christmas party, along with the whole family. She brought this song along to see if I would like it. She played and I did my best to follow along. I loved it instantly. I loved the simplicity of it, but more importantly I loved the spirit of it. We recorded it this summer and after I left I listened to it a couple of times and realized that I wanted to change a few things to make it sound more professional and fun. When I returned in October I wasn’t planning on us rerecording that song but with some time left over we decided to try it. I made a few changes and Victoria helped me add some things and correct some things that made the song come more alive. I know this song has a deep heritage, having been sung long before anyone ever knew me. I just hope that those people who knew it before are satisfied with how it turned out.
Lastly, “Will You Hold Me on Christmas Eve?” I love love love this song. I didn’t think I was going to get the opportunity to sing it. For the longest time I wanted to do a duet with Rachel and the chance never came up. Well, when Victoria told me that she was looking for a different sound than what she had heard and asked if I was interested in doing it I had to say yes. I listened to the song because I wanted to make sure I could actually do it justice and not just say yes to be selfish so I could sing a stellar song with a superior vocalist. Well, I got those things anyway and decided to tell Victoria that I would love to do it. Recording it without Rachel there was a trick, but a necessary one. I’m grateful that I was given that chance.
What was recording like? Were there any surprises?
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What is your favorite song on the CD, and why?
I know I might be a bit biased but I really do like “Will You Hold Me on Christmas Eve?” I like how it has a country element. I love the power of Rachel’s voice. I love the jazzy piano. The writing on this song is ingenious. It should be on the radio being sung by someone like Tim McGraw and Faith Hill. It has a special feeling.
Would you record again, if you had the opportunity?
Hands down I would, and hopefully will record again!
Tell us something about Victoria that we might not know.
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Friday, December 11, 2009
Singing in the Rain (Tandy Talks)
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But first, I wanted to talk about “It’s All About the Baby,” from my point of view. To answer some questions...
When did you start singing, and do you want to do it professionally?
Since elementary school I loved being in Chorus (which definitely was not the highlight of my “singing career,” looking back at the concert tapes…ahh!) and I took voice lessons for a short while... but truthfully I thought I was supposed to grow up to be an artist. That is, until I fell in love with music when I started singing in treble choir with Mr. Elg at Mission Viejo High School (if you have children of friends that enjoy singing that either go or will go to Mission, make them join choir! It’s such an awesome experience… not the typical cheesy choir you might imagine, as I did beforehand.
I am still trying to figure out what I want to do with music. There are many things I love and could possibly pursue... I definitely want to incorporate music, but am not wishing to pursue any path of “making it big.” I want to be able to raise a family. ☺
What was your experience like, recording for Victoria?
Haha… she’s totally chill to work with and would never make me cry! ;) ...except for moments I have had, deeply confiding in her about my worries and desires, and feeling true love, concern, and understanding from her thoughtful words and advice given in return. What made me emotional was how she would defend what she felt were my needs and desires and strengths, while I argued otherwise, worrying about everything and everyone else. I have very much valued the time spent with her during these past few months; she has become a dear friend in whom I feel I can confide when at times I may feel no one else would understand. Thank you so much. ♥
What is your favorite song on the CD, and why?
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The first time I listened to this song, I was looking at the picture Victoria has on her blog of Jesus holding His mother, Mary. {This Liz Lemon Swindle painting} As I listened, I contemplated the life of my Savior Jesus Christ and what He has done for me...visualizing myself, or others that I loved, as the one He had encircled in His arms of mercy and compassion. I just pictured that moment, when each of us would come face to face with Him, and falling at His feet as the tears flowed, overwhelmed by the love one could feel in His presence. His sacrifice and love and mercy is real. Our loved ones will be taken care of. Whenever I wish to ponder the glory of our Redeemer, this is a song that will set the tone for the Spirit to be present.
Would you record again, if you got the chance?
I would do it in a second! Victoria mentioned wanting to write a duet, in which I would record my part before going on my mission, and one of my best friends Kevin Anthony recording the second part after he got back from his mission; then they could send it to me while I was out in the field! :D (That’d be sweet!)
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Monday, December 7, 2009
An Italian's Point of View
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Okay, okay. You want some answers from the vocalists??? Here is Rachel's point of view.....
Q: Do you read her blog?
A: I have known Victoria for years and when I found out she had a blog I knew I would have to become one of her blog stalkers. Her witty humor and adventurous cooking skills are something I admire so of course I read her blog :)
Q: What was it really like for you? How do you feel about such a unique experience?
These two questions are difficult to respond to. I don’t know if I can explain the array of feelings that I felt this time around while recording.
Let me begin by saying that recording is DIFFICULT, especially when you have a deadline. There is no time for messing around. There were days when I would start singing at 8 AM and not finish until 4 PM. It sometimes felt like I was performing two concerts back to back! Singing takes a lot out of you.
Victoria wrote about an experience we had while I was in High School. I will NEVER forget that experience for as long as I live. It’s a memory that’s very private and special because only those who were there really understand the magnitude of the spirit. I can’t describe it. I wish I could have been a poet. I felt that same spirit while recording “In the Bleak Midwinter” which happens to be my favorite song on the CD. I recognize how grateful and lucky I was to be a part of Victoria’s very first Christmas CD. She could have chosen a plethora of different singer, but she chose me and that means a lot.
Q: Did she really make you cry?
A: I wish I could admit to the fact that Victoria’s the wicked witch of the west, however, she is far from that. If anything, I made her cry out of frustration because I couldn’t decide on what take I preferred more for the CD! You can thank the perfectionist part in me :)
Q: If you had the chance, would you record more of Victoria’s songs in the future?
A: I don’t think I had to even think twice about this. It’s just been something I have always done. She is a woman of many talents so why wouldn’t I accept such an amazing offer? Plus, once we’re done recording songs, I have the song as a keepsake for the future. It’s funny to listen to how my voice has changed since I was 16.
Q: Tell us something about Victoria that we don’t know!!!
I’m the last person to tell you something about her that you don’t know! This woman is an amazing chef. Amazing you say? How about this for something you don’t know….she picked me up from my house, drove to her house, did some recording, and then she says, “I’ll be right back” and in about an hour, she made me homemade whole wheat bread from scratch. Were talking, ground her own wheat into flour. What a sweetie right? All that for me, and then I even got to take a loaf home for the family to devour in a couple of hours. WHO DOES THAT? She is definitely the homemaker/cook/chef/extraordinaire I want to be like!
I hope I answered these questions to your liking! If not, visit Italiana Signorina to get a little piece of heaven from an Italiana.
AMORE
Going, Going...
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Thursday, December 3, 2009
What the…What’s What? More Questions...
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Tandy, Rachel and Garry were fired some questions in the comments from the last post. I really can’t answer for them, except to point out that none of them have stepped forward to dispute the fact that they were tortured… made to work under duress, and that I did my best to make them all cry. Beyond that, I can’t speak for them, and honestly, I don’t know that they really look at the blog all that often, if at all.
I can answer the questions that were addressed to me.
Q. Can I sing on your next CD?
A. Not a chance. ☺ Haha!
Q. Will there be a next CD?
A. Let me consult my Magic 8 Ball… it says try again later.
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A. I didn’t. My nod to acoustics was to throw a rug on the floor and add a shelf with books opposite the recording area to break up sound.
Q. What is your favorite song on the CD?
A. That is actually a complicated question, because many of the songs have great meaning for me, either because of how they came about (The Gate), or experiences performing them (Evening Lullaby, Hush, Joseph’s Song). Some of them I love just because they were fun to play (O Holy Night)… but just for sheer listening satisfaction I love the last track, Will You Hold Me on Christmas Eve? As far as meaning goes, that song has a lot attached to it as well. I originally wrote it to be performed at a Christmas concert by Ric Starnes and Casey Vongsawad Stolze. I
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I think that the great job Rachel did on that song would have made Casey very happy, and it certainly made me happy. Then, as you can read in earlier posts, Garry swept in to the rescue at a very crucial time to help finish the song. I thought several times along the way that it would probably not be on the album, because it was a very difficult song to perform and record well. I think the way it came together a single week before the CDs had to be duplicated was no accident, and it made me realize once again that I was being watched over in so many ways.
Monday, November 30, 2009
What’s What
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A. Not right now. I’m sorry, but I didn’t have time to write them all down. I need to be careful how I talk about this one, because I definitely don’t see eye-to-eye with y’all on it. Some people think that if I put out sheet music, I would get super rich from all the people buying the sheet music. I am afraid there is not a lot of money in sheet music. For one person that buys it, all her friends will then copy it. Secondly, it has never been my dream for everyone in the world to be able to play my music. It has been my dream to hear my music performed by people that I love to listen to. That doesn’t mean that I don’t love you, or that you don’t sound great. Someone asked me last night, “Isn’t there just a program where you play it in, and it just prints out sheet music?” The simple answer is yes, but the real answer is no… it is not that easy, and it takes me about ten hours to transcribe a song in a way that I think looks good. I am exploring avenues to get some of the music transcribed, but it is just not my top priority at this time.
Q. Is that you singing on the CD?
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Q. Did you actually write Did You Know? or did you just arrange it? Because I already have it on another CD I purchased. (Strangely, I get this question about several of the songs that I wrote on the CD).
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If you have questions you would like to ask about the music or the CD, please feel free to ask in the comments section. I have a little sarcasm problem, for which I am seeking help, but I promise to control it and respond with a nice friendly answer.
Sunday, November 22, 2009
Who’s Who?
Who’s Who? The Moment of Silence
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Rachel has such a great love of music, and is such a perfectionist, that I think she can barely listen to herself sing, because it is never quite right. But we have certainly had our moments. One of those happened four or five years ago, when the high school music director asked her to sing my song “Evening Lullaby” for the annual high school Holiday concert. I went that night to play for her, and we went out onto the stage and performed the song. It was simple. Just piano and voice. There was an amazing spirit in the auditorium. I felt it. It brought tears to my eyes as she finished the last little lullaby section of the song, but I wasn’t sure if anyone else felt it.
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A couple of years later the music director called me. He said that they had completed their new music auditorium and that they were having an inaugural concert. He wanted to know if Rachel might be able to come and sing again, because he said that night when she sang was pretty magical. He was right. It was.
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Who’s Who? The Six-Month Houseguest
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When Elder Pfile transferred to Oceanside after six months, he assured us he would be back, and even left a box of his belongings in an upstairs closet to prove it. I was sure I would be mailing that box to Montana, but when Elder Pfile was released from his mission this last July, he made good on that promise and came out to record music during the summer. Unfortunately, I had lost my direction for the CD, and I wasted so much of his time that he was here. I regretted that mistake in September, when I committed again to make my CD of Christmas music, and realized that it had to be completed by the first part of November.
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Who’s Who? The Ninja Tag Expert
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But Tandy’s musical talent is only the least of why I am a fan. She is just one of the most exemplary women I know. She is always putting the needs of others ahead of her own, and I have seldom seen someone who cares more for her younger brothers and sister. I remember once my son Dillon told me that Tandy was taking all the boys out to play ninja tag. She makes sure they are safe and doing what they are supposed to do. How can you help but be impressed by a girl who would look out for a mob of 15- and 16-year-old boys? She already has a mother’s heart. I love Tandy for so many reasons.
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Wednesday, November 18, 2009
Some Thoughts on Crossing the Finish Line
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I would like to tell you some things, and then, after you listen to the CD, I would like you to tell me some things. I want to know… did you like it? How did it make you feel? What was your favorite thing? It would leave me gratified beyond words to get a few dozen comments on this post, just answering those questions.
I want to say that I am more than happy with the way the CD turned out. I will admit to being a little bit of a perfectionist… not for other people usually, but for myself, and so when I listen, I unavoidably hear things that I would’ve/could’ve/should’ve fixed if I had another month. But I put in about 60 hours the last week of production alone, and ninety percent of that time was spent just fixing little things and making everything sound as clean and pure as possible. And when I was finished, at 6:00 a.m. on the morning that the master had to be delivered, I was blessed with a feeling that I had accomplished what I set out to do, which was to make some music that would help people feel closer to Jesus Christ. Even after all the hundreds of times I have listened with a critical ear to each song, I still have a burning in my heart when I listen to the songs, and that helps me turn a deaf ear to any small defects there. I can only hope that the same will be true when you listen.
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Then I spent some more months thinking that I needed to “go a different direction,” and wrote songs that were not Christmas-themed. Then I spent some months driving my best friends crazy with my indecision, unrealistic expectations and with some very uncharacteristically passive aggressive behavior. Then I attended a music workshop in Utah where I learned that I was doing things very differently than normal people, and so a) there would be no help or advice for what I was doing, b) there would likely be no monetary compensation at the end of the project, and c) the song I submitted for critique was not even in the top 20 out of 100, and therefore would probably not appeal to the general public. I came out of that workshop and out of my summer recording efforts with the firm and rather spiteful decision that not only was I not going to make a Christmas CD… I was not ever going to make a CD of anything.
I spent an entire month wallowing in a uneasy mixture of self-pity and relief that I didn’t have to worry about it anymore. And then one morning at the end of August, while I was cooking something over my stove that I have probably done a hundred times, I had an accident and splattered my hands liberally with 500-degree molten sugar. I plunged my hands into cold water within two seconds, but the damage was done. I had second- and third-degree burns all over both hands. The burns were initially all white and waxy looking. Within a week they were covered with angry red blisters, and after two weeks they just looked like raw meat. It was then, that suddenly I had the overwhelming desire to just play the piano. Just sit down and play. I hadn’t even touched the piano in over a month.
As soon as I could plunk out some notes holding bandaged fingers in the air, I sat down to make some music, and I realized that after all of my ridiculously uninspired activities of the summer, after the shameful way I had treated friends, and after the deep discouragement that I had allowed myself to feel (that is so unlike me!), I still had to make the Christmas CD. And guess what… now I only had two months to do it, because I wasted the first ten. I felt chastened, excited and completely overwhelmed.
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And so, here I cross the finish line… with a couple hundred pounds of CDs in the back of my Suburban, and orders that look like they might sell out the entire batch by the end of the month… and yes, I won: It turns out I was just competing with myself. I can only be grateful that I got to be part of it, and that in the process I learned important lessons about friendship and inspiration and determination that you would think I would already have learned (I am slow), and grateful that I got to spend so much time with my favorite people in the whole world.
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Finish Line photo by Andrew Mo, paintings by Joseph Brickey
Wednesday, November 11, 2009
A Not-So-Silent Night
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The painting is Liz Lemon Swindle’s beautiful Silent Night.
Tuesday, November 10, 2009
Mary, may I hold your little baby?
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Let me rock him while you sleep awhile...
I will keep him safe from harm.
Wrap my poor cloak around your shoulders
I know that it is worn and old
But at least you will be warm.
Rest now
When you wake I will still be here
Kneeling at the manger bed
Watching o'er your little baby dear
Mary, I heard you sing to your little one.
Even angels and shepherds wept
At your lullaby to God’s holy son.
Mary, may I hold your little baby?
I believe that when he fills my arms
My heart will be full too.
I know that you must be so weary
There was not an inn in Bethlehem
That would take you for the night.
I came to see the little Savior.
I felt the Spirit whispering
To come and feel his light.
Rest now
When you wake I will still be here
Kneeling at the manger bed
Watching o'er your little baby dear
Mary, I heard you sing to your little one.
Even angels and shepherds wept
At your lullaby to God’s holy son.
Mary, may I hold your little baby?
I believe that when he fills my arms
My heart will be full too.
Prophets have waited for a new star
To shine up in the heavens
To guide them to their king.
Look how it shines upon the stable
Bringing rich and poor to worship him.
See the wondrous gifts they bring.
Rest now
When you wake I will still be here
Kneeling at the manger bed
Watching o'er your little baby dear
Mary, I heard you sing to your little one.
Even angels and shepherds wept
At your lullaby to God’s holy son.
Mary, may I hold your little baby?
I believe that when he fills my arms
My heart will be full too.
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Monday, November 9, 2009
A Father’s Heart
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Joseph’s Song
In a thousand anxious moments
I have seen this very night
I’ve imagined how I’d feel now
And I’ve wished with all my might
That I’d know you when I saw you
And I’d love you as my own
Though you’re God’s son born to save us
You’ll be mine until you’re grown.
In this city full of strangers
There is no place left to stay
But a stable meant for cattle
And a manger full of hay.
Not a place I would have chosen
For your long awaited birth,
But it’s quiet and it’s safe here
As we welcome you to earth.
Lay your soft head on my shoulder
Sleep until the night is done.
Hear my song and feel my heart beat,
You’re my little baby son.
I have seen how in an instant
Things can change like night to day.
From the moment you arrived
Life transformed for me that way.
When I held you for the first time,
Angels sang and shouted praise.
Then a new star burst from heaven
Bathing earth with silver rays.
When I gazed then at your mother
My heart swelled; tears filled my eyes
For her beauty burned like fire
As she smiled and soothed your cries.
In the glory of that evening
I fell on my knees to pray
Thanks to God for my sweet family
And this Savior come to stay.
Lay your soft head on my shoulder
Sleep until the night is done.
Hear my song and feel my heart beat,
You’re my little baby son.
Lay your soft head on my shoulder
Sleep until the night is done.
Hear my song and feel my heart beat,
You’re my little Jesus son.
Saturday, November 7, 2009
Done, and Done.
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Or maybe done... and done in. This has been a hard, no-fun week for me, and lonely, in an odd sort of way. There are always a jillion people around, but not to help me do this job. And certainly not in the middle of the night. Lonely is the right word, I think.
I made a breakthrough today when I “mastered” the CD for duplication. I have been worried about this, because I have burned CDs of things I have recorded before, and the quality has always been disappointing to me. I wondered if the problem was with Logic Studio, but for heaven’s sake, it is a professional program, and it is supposed to turn out a top-quality product. But when I would play back CDs, I would get sort of a thin, tinny piano sound, and the strings and voices would sound a little shrill to me. Certainly not the rich sound that comes from my speakers or headphones. But I felt inspired to research the mastering process a little before I made the CD... I don’t even know why, because I knew I just had to burn the CD.
The first thing I found is that Logic Studio has a setting for making mp3 format files that uses a higher resolution than standard. Then I found out that the default disc-burning speed is 24x... and apparently the faster you burn a CD, the lower the quality! Who even knew that??? Not even DK, and he knows all kinds of useless facts. Apparently for the good quality CDs, the maximum burn speed should be 4x! And best would be 1x. So I burned one at the slower speed, and then took a spin in the car for a good listen... I like to drive over by the elementary school for this purpose. Don’t even know why. It only took about two minutes before I was ready to do a happy dance... it worked. The quality is awesome.
And DK helped me work on the album art today. I love it. I am looking forward to a less difficult, less lonely week. I may not post any more full-length songs here, because I don’t want to spoil your enjoyment of the CD, but I am going to eventually get all the words, and stories behind songs up here on the blog... there is not room in the CD insert for all the lyrics, so I will put them up here instead. Have a great weekend...
Thursday, November 5, 2009
On Traveling Far
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This has really been a journey. Many of the songs I am producing were written over the last ten years. My taste in music has changed... is constantly changing. I know more about song structure than I did, and I cringe a little when I look at some of the older songs. I have changed and updated many of them... but one of the challenges is, I care more about the accompaniment now. Many times when I was writing a song for the children or a soloist to sing, there was a deadline, and being the world-class procrastinator that I am, I would wait until the day it was due, before I would start to think about the song. I cared the most about the words, I think, and the accompaniment suffered. Now that I am recording the songs, in many cases the accompaniment is ruining my enjoyment of the song. I realized when I rewrote the accompaniment for The Gate, that I can breathe new life into the music, by coming up with a concept for the accompaniment that really speaks to me.
I record the vocalist while playing the old-style accompaniment. But then when I begin to work on the finished product, I simply throw that accompaniment in the trash and start new. I rewrote three accompaniment parts this week! This is one. I kept it very, very simple. In most of the cases, the new accompaniment is not fancier, but simpler... in line with my new tastes, perhaps? Maybe you liked it better the old way... I kept a little of that, in the middle. So many of my friends have listened to this song for the last five years, and there may be a rebellion when they hear what I have done. Just remember, we have traveled far...
Evening Lullaby
They traveled far along the dusty way
To reach Bethlehem by close of day.
Come Joseph, hasten down the winding road.
Bring your donkey with its precious load.
As they entered through the city gate
Shadows fell; the hour was growing late
Then in the purple of a falling night
Shown a brand-new star in glory bright.
Who will share a room, a loaf of bread?
Where will Mary lay her weary head?
A tiny manger in a stable bare
Will be the cradle for her baby fair.
Come, shepherds, watch and wonder at the sight.
Find the stable bathed in holy light.
Enter softly; see the babe foretold
By prophets far and near since days of old.
Baby Jesus, now it’s time to sleep.
Close your eyes; angels their watch will keep.
And when you wake the night will fade to gray
Then you will smile upon a brand-new day.
Wednesday, November 4, 2009
Some Nights are Just Holier than Others
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So everyone teases that I bought this Christmas painting (by Liz Lemon Swindle) because Mary looks like me. First of all, you can only see her from mid-nose up, so she could look like any number of people. Judge for yourself.
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And by the way, may I say that it is eighty degrees here in lovely Southern California, and I just finished recording cello with Shelley Johnson, and basically, it rocked. I’m putting up “O Holy Night” so you can hear it. This is the one song where I got to just totally have fun on the piano. Happy happy happy